Altered Carbon free prompts and swap face images
315 text to image prompts for altered carbon are
available. Compatible with MidJourney, Dall-E and Stable Diffusion
Best prompts for altered carbon
Biopunk dystopian world where a rogue android with empathy implants navigates through a neon-lit city dominated by sprawling organic skyscrapers, their walls pulsating with living tissue and cybernetic veins. The air is thick with bioluminescent spores, drifting like ghostly fireflies in the polluted sky. They wear a flowing gown melded with organic nanofibers and reactive foils, their body enhanced with genetic modifications, from shifting skin textures to organic circuitry running along their veins. The streets below teem with hybrid creatures—half-machine, half-organism—while the black-market bio-labs hidden in the city's underbelly offer illegal modifications. The atmosphere is damp, the air filled with the scent of decaying biotech and ozone. A massive corporate fortress looms in the background, its walls breathing like a living entity, guarded by grotesque cybernetic sentinels.
an enigmatic cybernetic hacker, wearing futuristic cyber armor with neon trims, performing hacking into a rogue AI mainframe, set in a holographic digital cityscape, drawn in the intense and visually striking anime style of Tite Kubo.
Photorealistic cinematic scene featuring Helena Bassett from Altered Carbon in a futuristic Blade Runner-inspired cityscape. Moody, red-tinted dusk setting with light fog, volumetric lighting, and ray tracing effects, 16k resolution, Unreal Engine rendering
In a abandoned futuristic city bathed in neon rain, a solitary cyber samurai silhouette clad in sleek nano-fiber exoskeleton radiant with electric blue circuits, painted in a fusion of H.R. Giger and Feng Zhu, hyperrealistic 8K with cinematic lighting.
a futuristic ninja, slick chrome armor and glowing katana, engaged in sneaking past robotic guards, set in a cyberpunk cityscape at night, illustrated in the comedic and action-packed style of Hideaki Sorachi.
