Sacred Composition royalty-free images
50 text to image prompts for sacred composition are
available. Compatible with MidJourney, Dall-E and Stable Diffusion
Best prompts for sacred composition
A colorful abstract canvas with angular geometric shapes, vibrant complementary colors, negative space, neo-expressionism, bold shapes, contrasting tones, and intricate crystalline details
Life Drawing envision a vibrant and dynamic composition of interconnected nodes and pathways representing a symphony orchestra. The painting would consist of a colorful array of geometric shapes and patterns, with lines and curves linking them together in a complex web-like structure. The shapes and patterns would be constantly shifting and evolving, reflecting harmony. In the center of the painting, there would be a focal point that represents the core rhythm, from which all the other elements radiate outwards. This focal point would be surrounded by a halo of bright colors, representing the diverse range of instruments. Overall, the painting would convey a sense of energy, intelligence, and creativity, capturing the essence of musical expression. Done in a neo-expressionism in vivid colors over newspaper collage, juxtaposition of vivid colors and bold shadowy darks, drippy, splashy chaos in the style of Saul Leiter.
Banshee, Gothic Occult Celestial, Black and Gold Mysticism, Intricate Linework Geometry, Bold Angular Architecture, Occult and Religious Imagery, Skulls, Crosses, Celestial Bodies, Dark Atmospheric Setting, Ornate Borders and Symmetry, Dramatic Negative Space, Esoteric Macabre Divine Aesthetics
Abstract painting combining elements of cubism and expressionism, featuring modeling paste and fabric, with vibrant reds and cool blues, dynamic and lively composition, balancing organic and geometric shapes
A spiritually evocative artwork of Sitting Bodhisattva meditating with radiant halos and intricate golden jewelry in tranquil and introspective, with gentle lotus blossoms amidst foggy skies adding depth to the sacred composition.
