Street Photograph free prompts and swap face images
320 text to image prompts for street photograph are
available. Compatible with MidJourney, Dall-E and Stable Diffusion
Best prompts for street photograph
A photograph by Henri Cartier-Bresson of a young boy playing in the street, dynamic composition, dramatic lighting, vintage style
a black and white street photograph capturing vintage urban life; a man in a suit and fedora hat standing outside a shop, engaging with a young boy seated on crates; gritty urban environment with posters and worn textures on walls; casual bystanders and a slightly blurred background, classic 1950s atmosphere, grayscale tones
(8k, RAW photo, best quality, masterpiece:1.2), (realistic, photo-realistic:1.37), elderly man with traditional Filipino hat, cute:1.2, neon-lit Binondo Chinatown night street, Manila — crowded food carts, hanging red lanterns, jeepneys and tricycle silhouettes, bilingual Tagalog-Chinese-English signage, narrow wet lanes, warm tropical evening drizzle, glossy puddles reflecting neon and jeepney headlights, steam and savory smoke rising from street food stalls, humid haze, visible raindrops and soft bokeh, professional lighting, rim light, photon mapping, radiosity, physically-based rendering, PBR, atmospheric perspective, front-facing, whole body, delicate face, soft smile, looking at viewer, five fingers, natural skin, minimal makeup, DSLR street photography, 35mm lens, shallow depth of field, film grain, high contrast, color graded, candid vibe, selfie pose
A 1960s type fashion candid street photograph taken by Mary Ellen Mark and Bruce Gilden, a group of musicians playing in a city square, wearing vintage suits and fedoras, with an audience clapping and enjoying the music, bustling urban environment, Kodachrome film, chiaroscuro, f/1.8 bokeh, hypermaximalist portrait, photorealistic faces.
Documentary-style photograph of a street market in Marrakech, ultrawide lens, Cinestill 800T film, dramatic chiaroscuro lighting, eclectic costumes and accessories, inspired by Mary Ellen Mark
